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May 21, 1999
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SUMMARY
In the series finale, Frank and Emma face the Millennium Group’s full force as they try to prevent the fulfillment of the group’s apocalyptic vision. Frank must make a final decision about his involvement with the group and the future of his daughter, Jordan, as the series concludes with an uncertain but hopeful ending.
STORY
**Opening Scene:**
The episode opens with a flashback to Frank Black's early career as a criminal profiler. We see Frank working alongside his mentor, Jim Horn, on a particularly brutal case involving a serial killer named Ed Cuffle. The flashback establishes the deep bond between Frank and Jim, as well as the trauma they both endured while trying to catch Cuffle, a killer whose crimes have haunted Frank ever since.
**Present Day:**
In the present day, Frank is still grappling with the effects of his work with the Millennium Group. His paranoia and distrust have deepened, especially after the events of the previous episodes, where the Group’s dark intentions and the looming Millennium have become increasingly apparent.
Frank’s daughter, Jordan, has also shown signs of inheriting Frank’s psychic abilities, which adds to his growing sense of dread about the future. Frank’s relationship with his former FBI colleague, Emma Hollis, has become strained, as she continues to be drawn deeper into the Millennium Group’s influence.
**The Case Reopens:**
The central plot of the episode is set into motion when a series of murders begin to surface, bearing the same signature as those committed by Ed Cuffle years earlier. Frank is immediately drawn to the case, sensing that it is more than just a copycat killer. His investigation reveals that Cuffle has been released from prison, but it soon becomes clear that someone else might be continuing his work.
Emma Hollis, now deeply involved with the Millennium Group, receives information that suggests the Group might be manipulating the situation to draw Frank out. The Group’s leader, Peter Watts, seems to have a personal interest in how this case will affect Frank.
**Frank and Jim Reunite:**
Frank reaches out to Jim Horn, his old mentor, who is now retired and living a quiet life. The reunion is bittersweet, as Jim has not fully recovered from the psychological scars of their earlier work together. Frank convinces Jim to help him confront the demons of their past, as they believe Cuffle’s return might be tied to the Millennium Group’s plans.
As Frank and Jim delve deeper into the case, they uncover a web of conspiracy that ties the Millennium Group to Cuffle’s release. Frank becomes increasingly convinced that the Group is using Cuffle as a pawn to push him over the edge, hoping to recruit or destroy him.
**The Final Confrontation:**
The investigation leads Frank and Jim to a climactic showdown with Cuffle. However, it’s revealed that Cuffle is just a puppet, manipulated by forces within the Millennium Group. During the confrontation, Jim is killed, sacrificing himself to save Frank, but not before revealing that he knew the Millennium Group’s true intentions all along.
Frank is left devastated by Jim’s death, but it also steels his resolve to finally break free from the Millennium Group’s influence. He confronts Peter Watts, accusing him and the Group of orchestrating the entire situation to test him. Watts doesn’t deny the accusation, but instead offers Frank a final chance to join the Group and embrace their vision for the coming Millennium.
**Resolution:**
Frank, however, rejects the offer. He realizes that the Millennium Group’s vision is one of control and manipulation, not salvation. In a symbolic act of defiance, Frank walks away from Watts and the Group, choosing instead to protect his daughter and preserve what remains of his own humanity.
The episode ends with Frank taking Jordan and leaving their home behind, determined to start anew, free from the shadows of the Millennium Group. As they drive away, the camera lingers on Frank’s face, a mix of sadness, resolve, and a glimmer of hope for the future.
**Themes and Analysis:**
*Goodbye to All That* serves as a powerful conclusion to Frank Black’s journey, highlighting the themes of free will versus control, the corrupting influence of power, and the personal cost of fighting against evil. The episode encapsulates Frank’s struggle to maintain his integrity and protect his loved ones in a world increasingly dominated by dark forces.
The episode’s title, *Goodbye to All That*, reflects Frank’s decision to leave behind the life he once knew, both the personal connections and the professional commitments that have defined him. It’s a farewell not only to the Millennium Group but to the man Frank used to be, as he prepares to face an uncertain future with the hope of preserving his humanity and his daughter’s innocence.
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REVIEWS
Another bad ending for a Chris Carter series
Written by
Pike on 2024-08-16
★
Actress Klea Scott on her character's ending: “I was hurt when I learned that Emma Hollis had agreed to be part of the Millennium group. We had no say in what the writers did with our characters. We found out when we read the scripts. I was ashamed, I was overcome with a real sense of shame.”
Once again, I can't help but draw a similarity between Millennium and X-Files. The X-Files had its first possible ending, namely the final episode of season 5, “The End”, which was a satisfying ending, even if not of an exceptional standard.
But with ratings still buoyant, X-Files will be renewed for a sixth and seventh season, filmed in sunny Los Angeles, which will immediately cause the series to lose its British Columbian charm. The new X-Files ending will be the season 7 finale, “Requiem”. But here too, ratings are still good and the series is renewed once again. It was the ninth season that brought the series to its (first) real end, with the episode “The Truth”, a mediocre ending but one that had the merit of closing the chapter. Unfortunately, years later, Fox relaunched a 10th and then 11th season which ended the series with a most horrific ending, with Dana Scully still pregnant at far too advanced an age.
In short, Chris Carter's series have the merit of ending in the gutter, and the same thing will happen to MillenniuM, even if the characters won't be as distorted, due to the fact that the series will only have lived for three seasons.
TRANSCRIPT
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2024-08-29 03:42:09 -
Pike:
Added the story.
