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All About Yves

1x13 The Lying Game The 'Cap'n Toby' Show The Lone GunmenSeason 1
All About Yves

 WRITTEN BY

Vince Gilligan & John Shiban & Frank Spotnitz

 DIRECTED BY

Bryan Spicer

 AIRED ON

May 11, 2001

 RUNTIME

45 minutes

 STARRING


 VIEWS

358

 LAST UPDATE

2024-09-22 02:47:46

 PAGE VERSION

Version 4

 LIKES

0

 DISLIKES

0

 SUMMARY

The trio becomes entangled in a complex case involving Yves, a mysterious and enigmatic woman with ties to a shadowy intelligence network. When Yves seeks the Lone Gunmen's help to expose a covert operation that involves stolen government secrets, they are drawn into a high-stakes game of espionage and deception. As Byers, Langly, and Frohike dig deeper, they unravel a conspiracy that connects Yves to a larger, more dangerous plot involving a powerful and elusive organization. The episode blends suspense with intrigue as the Lone Gunmen navigate the treacherous world of espionage, uncovering hidden truths and confronting formidable adversaries in their quest for justice.

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 REVIEWS

Vivi avatar

Who is Yves ?

Written by Vivi on 2018-05-10
★ ★ ★

A really good episode. For the fan of X FILES, you can see Morris Fletcher and Mulder. You discover that Yves and Mulder are in touch ... This episode is focused on Yves. Nice work.
___________________________________________

Pike avatar

Better but unoriginal

Written by Pike on 2018-06-23
★ ★ ★

OH, THE IRONY
The episode is ironically much better than the previous ones, and that's actually a problem. Because it is not better by trying to be original, it is better by simply trying to emulate an X-Files episode based on the Lone Gunmen. That's the irony. That's the reason why the spin-off is pointless. It serves no purpose, whatsoever.

FOX MULDER
The appearance of Fox Mulder, portrayed by David Duchovny, is horrible. Horrendous. Stupid. Extremely badly executed. The music when he appears is literally horrible. I mean truly, truly horrible. Mark Snow utilizes the title music of The X-Files in the worst of ways. The same way the sound cue will be used in the movie The X-Files: I Want to Believe, when we get to see the picture frame of George W. Bush.

SUMMARY
A better but still bad episode. I give it 3 out of 10. Also, the cliffhanger is totally uninspiring and uninteresting.

 TRANSCRIPT

SCENE 1
GEORGETOWN PLAZA HOTEL
WASHINGTON DC
A very pleasant lowlit bar Gentle piano music is being played As the camera pans across the room we hear a conversation

WOMAN Thank you

MAN Youre very welcome Cheers

The MAN and the WOMAN are sitting at the bar

WOMAN So what do you do for a living

MAN I work for the government I am based out at Nevada actually Im just here in town on business My job uh kind of cloak and dagger you might say It involves National security

WOMAN Really Well I can keep a secret

MAN Thats what I love to hear

The MAN puts his hands behind his back and pulls off his wedding ring and slips it into his trouser pocket We now see that the man is MORRIS FLETCHER

MORRIS FLETCHER How shall I put this You ever see the movie Men In Black

WOMAN Mmmm

MORRIS FLETCHER Well guess who Tommy Lee Jones character was based on

The WOMAN looks surprised

MORRIS FLETCHER Loosely

Now the WOMAN looks impressed

WOMAN Wow

MORRIS FLETCHER grinning Yeah But it isnt all you know gives a spooky whistle It can get lonely too

The WOMAN looks sympathetic

MORRIS FLETCHER What you say I pay up and we find a place not so loud

The WOMAN nods As MORRIS FLETCHER pulls out his wallet to pay his wedding ring drops on to the bar counter with a tinkle The WOMAN sees this and is not pleased She gets to her feet

WOMAN Excuse me

The WOMAN walks off MORRIS FLETCHER sighs




SCENE 2
Cut to outside Night MORRIS FLETCHER walks to his car As he goes to unlock the door a bright light shines down from the sky A sudden wind springs up MORRIS FLETCHER shields his eyes as he tries to look at the light The light descends towards him




SCENE 3
Cut to an interior room Its just like when Mulder was being tortured by the aliens Through the window we can see the moon seemingly very near MORRIS FLETCHER is strapped into the same chair as Mulder was but his hands are free He appears to be waking up

MORRIS FLETCHER Oh man

He begins to realise where he is

MORRIS FLETCHER Oh Hello Hello

He cant move his head as his face is held just as Mulders was

MORRIS FLETCHER Can we talk about this

He sees an ALIEN moving towards him Its pale grey and small but with round black eyes and a humanoid nose and mouth It doesnt appear to be walking rather gliding noiselessly towards MORRIS FLETCHER

MORRIS FLETCHER Alright alright Im MIB Majestic 12 We play for the same team

The ALIEN produces an instrument

MORRIS FLETCHER Oh no not the nose thing I hate the nose the thing

The ALIEN moves the instrument very close to MORRIS FLETCHER nose

MORRIS FLETCHER Just tell me what

ALIEN You have information

THE ALIENS VOICE IS HIGHPITCHED ROBOTIC THINK soprano Dalek

MORRIS FLETCHER Hell yeah yes I do What do you want to know

ALIEN What is Maharon

MORRIS FLETCHER hesitates so the ALIEN threatens him again with the nose thing

MORRIS FLETCHER OK OK OK OK Maharon thats our code name for technology we borrowed from you and I want to stress the word borrowed because we really do play for the same team Its your photon aggregate technology Your weapons system We took it off the Roswell ship Took us 50 years but we finally figured out how it works But hey you know what Im not a hardware guy

ALIEN Tell us everything

The ALIEN threatens the nose thing again

MORRIS FLETCHER Aaaaargh




SCENE 4
Cut to road night The VW speeding along Morris Fletcher scream changes to a yeehaw as inside the VW FROHIKE takes off the alien mask He is grinning JIMMY is yeehawing

JIMMY We rock We are the champions

BYERS driving What a coup What a scoop

FROHIKE An honesttogod Man In Black Its unheard of

LANGLY That Morris Fletcher was totally fooled Its amazing how much fun you can have with a couple of ccs of Pentathol and a Halloween mask

JIMMY We never even had to use this

JIMMY holds up what is best described as a vibrating sigmoidscope

Suddenly theres a bright light and BYERS tries to shield his eyes

BYERS Woah guys

The VW screeches to a halt In front of them are military vehicles and armed soldiers Another military vehicle pulls in behind the VW The soldiers run to the VW pointing their guns at the guys who raise their hands

Fade to opening credits




OPENING CREDITS OPENING CREDITS OPENING CREDITS OPENING CREDITS OPENING CREDITS



SCENE 5
The GUNMEN are outside the VW being pushed down to kneel on the road their hands raised Another vehicle arrives The driver gets out its MORRIS FLETCHER

MORRIS FLETCHER Hello again Remember me

He walks past them to the OFFICER in charge

OFFICER What shall we do with the prisoners

MORRIS FLETCHER Um What do you suggest guys

FROHIKE Let us go

MORRIS FLETCHER Well yes I guess I could do that laughs then turns to the OFFICER No shoot em all in the head

MORRIS FLETCHER walks away

LANGLY Woah woah woah

BYERS You cant do that

OFFICER Ready

SOLDIERS stand behind the GUYS

OFFICER Aim

MORRIS FLETCHER turns back

MORRIS FLETCHER Oh I almost forgot

The OFFICER raises his hand the other SOLDIERS lower their weapons

MORRIS FLETCHER How did you four maniacs know where to find me

JIMMY Why should we tell you if you are just going to kill us

MORRIS FLETCHER Fine Be that way

He turns away again

OFFICER Ready

The SOLDIERS ready their guns

OFFICER Aim

LANGLY OK OK we got an email

FROHIKE They told us your name who you were what hotel you were staying at

MORRIS FLETCHER And who sent the email

BYERS We cant be sure It was anonymous

LANGLY We backtraced it and we got a domain name off some military server Romeo 61

This clearly means something to MORRIS FLETCHER He shakes his head at the OFFICER The SOLDIERS push the GUYS over on their faces and walk back to their vehicles MORRIS FLETCHER drives away The GUYS watch him go then turn to see the military drive off

FROHIKE What the hell did we say




SCENE 6
Cut to TLG HQ KIMMY is there yawning working at a computer LANGLY and FROHIKE sit either side of him BYERS standing behind JIMMY is sitting a little way off

KIMMY You crack babies woke me up from one killer dream and I aint talking about the dry kind

The GUYS look disapproving

KIMMY Jessica Alba

BYERS We will make it up to you Kimmy Somehow Just find us Romeo 61

LANGLY If you even can

KIMMY Oh haha I tell you what Langly I was actually going to make this seem hard so you wouldnt break down crying in front of your sorority sisters but it looks like grasshopper is in need of a little lesson in humility Doh

KIMMY hits a key and the screen shows Department of Defence Secure Document Server The contents of this server are Classified Military Access Only Secure Login Required

KIMMY Try and snatch that pebble All right what service branch is it in Army Navy Cub Scouts what

BYERS Try the Air Force Area 51

KIMMY To JIMMY Hey lurch Howsabout you trot out and get me a java grande

JIMMY Howsabout I trot over and smack you across the head

KIMMY Okaaaay

FROHIKE smirks

KIMMY The big guy has a temper Nada on the Air Force Byers Anyway I need a department otherwise we are talking a needle in a fivesided haystack

LANGLY The Pentagons email server Maybe if you can crack the server you can trace the root name back to the department it came from

KIMMY I have taught you much grasshopper Soon it will be your time to wander the earth

KIMMY works some more on the computer It shows user found Romeo 61 but not much information Department NA Command NA File Access Ref No 53421

KIMMY Theres no department

BYERS Open the file

KIMMY does and the screen shows a list of dates and place names They all scrutinise the data

FROHIKE What is all this

JIMMY Atlanta 72796 That was the summer of the Olympics

BYERS searching on a computer Atlanta 72796 The date of the Centennial Olympic Park bombing Alaska 32489 the wreck of the Exxon Valdez in Prince William Sound Harrisburg 32879 Three Mile Island All indicated as operations all successful Guys

FROHIKE This cant be what it looks like

BYERS Lockerbie Scotland in 88 The Marine Barracks bombing in Lebanon in 83 Romeo 61 whatever it is is it conceivable one group of terrorists is responsible for all these acts

LANGLY But they all cant be terrorist attacks I mean Three Mile Island Exxon Valdez werent thinks Oh man

JIMMY But guys what kind of a terrorist works out of the Pentagon

BYERS Government sanctioned ones

FROHIKE Like Kimmy says one that doesnt appear in the chain of command

KIMMY Yo I never said anything Okay Cause cause I was not here

He goes to leave but BYERS grabs his arm

LANGLY Kimmy

KIMMY Look I never met any of you guys Okay

BYERS You have to help us uncover this

LANGLY Wheres your sense of patriotism

KIMMY It gets overruled

KIMMY rushes back to the desk and wipes the keyboard with the end of his Tshirt

KIMMY by my sense of selfpreservation And yours should too Seriously Arrivederci baby

KIMMY leaves

FROHIKE These operations go back decades This outfit must have been around since Oh my god Dallas November 22nd 1963

BYERS JFK The assassination

LANGLY It cant be Can it

FROHIKE Where do we start

JIMMY Maybe we shouldnt Maybe Kimmys right If all thats true you got to know the people behind it arent going to let us get away with writing a story about it

LANGLY JFK You understand This is the holy grail this is why we called the paper The Lone Gunman not because of hunting and fishing I mean you understand that dont you

JIMMY Yeah I understand that Langly

FROHIKE Where do we start This is just a list there is no proof here

BYERS Who else knows about Romeo 61

Fade to black




SCENE 7
Cut to a hand swirling a glass of whisky and ice We see its MORRIS FLETCHER in a bar talking to another Woman

MORRIS FLETCHER Yeah it can get lonely out there in that desert at night Looking up at all those stars it makes me think Im not going to be here forever Id better seize the moment Carpe diem

The WOMAN laughs

SECOND WOMAN I love the way French sounds

MORRIS FLETCHER Yeah French Greek that whole region What say I pay up and we find some place not so loud




SCENE 8
Cut to hotel room MORRIS FLETCHER and the Woman enter Theres a bottle of champagne in a cooler

SECOND WOMAN Wow This is so nice

MORRIS FLETCHER Well its even nicer with champagne Oh were missing glasses

FROHIKE enters the room wearing a bathrobe he is holding three glasses

FROHIKE Hello lover Oh my what a tasty young morsel youve brought me

SECOND WOMAN Whoa guys This is so not my scene

She runs for the door

FROHIKE Oh

MORRIS FLETCHER follows the Woman

MORRIS FLETCHER Wait wait wait wait wait wait Whats your name again

But the WOMAN has left MORRIS FLETCHER turns to glare at FROHIKE

MORRIS FLETCHER You son of a

The rest of the LONE GUNMEN appear

MORRIS FLETCHER Oh youve seen the last of Mr Nice Guy I really am going to have you shot in the head

BYERS We dont think so Were betting that you need us

MORRIS FLETCHER Oh and whys that

FROHIKE Romeo 61

BYERS Youre scared of it arent you It them whatever pronoun best applies

LANGLY You know theyre stone killers For some reason they put us on your trail

FROHIKE We want to know why Were sure you do too

BYERS Mr Fletcher I believe we can be helpful Were journalists

MORRIS FLETCHER I know who you are You put out The Lone Gunman Its absolutely hilarious Guys its why I let you live It would have been like killing the staff of Mad Magazine

LANGLY We tell the stories others refuse to tell

MORRIS FLETCHER Yeah thats one way to put it

BYERS Sorry to waste your time

The GUNMEN go to leave

MORRIS FLETCHER All right

MORRIS FLETCHER is serious now

MORRIS FLETCHER All right




SCENE 9
Cut to street scene Night JIMMY is standing waiting YVES drives up

JIMMY Thanks for coming Yves

YVES Jimmy Im in a rush

JIMMY Im sorry to bother you but its the guys You know how youre always joking about them being in over their heads

YVES I never mean it as a joke

JIMMY Well this one time I agree with you Theyre looking into this secret group of government assassins terrorists supposedly they had something to do with JFK Not the movie the actual guy Right now theyre talking to this secret government agent you know men in black Again not the movie but

YVES An actual guy

JIMMY Im worried what might happen

YVES I was afraid of this Jimmy you are the smartest of the four Dont let them go through with it get them off the story

JIMMY I tried they wont listen to me Thats why I need your help

YVES Im sorry Jimmy I cant

YVES drives off




SCENE 10
Cut to another glass of whisky and ice

MORRIS FLETCHER Romeo 61 Its sort of a bogeyman story for guys in my line of work Nobody knows who they are or what their mission is They kill torture steal do god knows what Maybe theyre just about causing chaos or turning a profit either way they are a seriously scary bunch But Ive got bigger problems

BYERS Such as

MORRIS FLETCHER Well theres this big meeting on Friday and Im supposed to present this information Never mind what or to whom its not important

FROHIKE The Maharon Project

MORRIS FLETCHER Anyway it got stolen and when I show up without it Im dead Not fired dead I cant go to the people I work with and theres no way I can find this woman

BYERS What woman

MORRIS FLETCHER The one who ripped me off A real two knuckler Just He puts two knuckles between his teeth Exotic tall brunette talked like Elizabeth Hurley

LANGLY What was her name

MORRIS FLETCHER It doesnt matter It was a fake I had it checked out

The GUNMEN look at him waiting for an answer

MORRIS FLETCHER Darva Loye Welshe

LANGLY grabs a pen and notepad and starts writing

MORRIS FLETCHER What

BYERS Go on tell us what happened

MORRIS FLETCHER Two nights ago Im sitting in the bar downstairs just minding my own business




SCENE 11
Flash cut to MORRIS FLETCHER in the bar talking to a WOMAN with long blonde hair

MORRIS FLETCHER So I said Lesbian I thought you said Lebanese

The BLONDE WOMAN slaps MORRIS FLETCHER across the face and leaves MORRIS FLETCHER is stunned for a moment then sees another woman YVES walking up to the bar

MORRIS FLETCHER VO And then she showed up

MORRIS FLETCHER watches YVES as she approaches the bar and sits down

MORRIS FLETCHER VO My god I mean this gorgeous gorgeous woman and here she comes sitting down right next to me

Actually YVES is sitting some way away from him MORRIS FLETCHER takes a swig of his drink and then rushes round to where YVES is sitting ANOTHER MAN has approached the bar and looks as if hes about to talk to YVES but MORRIS FLETCHER sits in between them and grins at the MAN He turns and smiles at YVES

MORRIS FLETCHER to Yves Evening

YVES smiles at him

MORRIS FLETCHER VO One thing led to another You know I laid on the old charm

MORRIS FLETCHER picks up a peanut from a jar

MORRIS FLETCHER to Yves and by this time its swollen to the size of a Texas grapefruit

MORRIS FLETCHER laughs and throws the peanut into the air and catches it in his mouth YVES is looking very unamused




SCENE 12
Cut to MORRIS FLETCHER and YVES in Morris Fletcher hotel room

MORRIS FLETCHER VO And the next thing I knew

He kisses YVES on the neck

MORRIS FLETCHER VO I should have seen it coming the whole thing was a setup

MORRIS FLETCHER draws back from YVES looking puzzled then collapses to the floor unconscious YVES unpeels some artificial skin from her neck She goes over to a wall safe and using an electronic device to give her the safes combination she opens the safe and removes a computer disk




SCENE 13
Flash cut back to MORRIS FLETCHER with the GUNMEN in his hotel room

LANGLY Darva Loye Welshe You spell it with a couple of extra Es you get Lee Harvey Oswald or Yves Adele Harlow

MORRIS FLETCHER Wait you know this woman

FROHIKE Weve had dealings with her

BYERS But what does this have to do with Romeo 61

MORRIS FLETCHER Boys Dont you get it She rips me off then she emails you pause Romeo 61 shes a member

The LONE GUNMEN look astounded

Fade to black




SCENE 14
Back at the Gunmens HQ MORRIS FLETCHER is there with them

LANGLY I mean what do we really know about Yves Next to nothing

BYERS is on the phone

MORRIS FLETCHER to Byers Any luck

BYERS Not only is she not answering her cell phone but apparently she just cancelled the account

MORRIS FLETCHER I thought you guys were hackers Trace her billing address

LANGLY We tried that the day she gave us the number Somehow she figured a way to bill it to the offices of Martha Stewart Living

MORRIS FLETCHER Oh shes good shes very good

JIMMY Whats he doing here

FROHIKE Hey relax man

JIMMY Guys please get off this story If you wont listen to me listen to Yves

MORRIS FLETCHER What about Yves

JIMMY She said stay away from it

LANGLY You told her about it Einstein here told her about it Of course shes going to stay away if shes part of Romeo 61

JIMMY Part of Romeo 61 Who in the hell told you that

BYERS Jimmy Yves is the only connection we have between data stolen from Mr Fletcher and the email we received informing us of it

JIMMY So that makes her some kind of government killer Have you even seen her kill anybody

LANGLY The only thing Ive ever seen her do is protect her own interests All those secrets she keeps why

JIMMY Shes a very private person

MORRIS FLETCHER laughs

LANGLY You dont even know her real name And whats with that anagram Lee Harvey Oswald Could someone please explain what thats supposed to signify

JIMMY Youre wrong about her Langly




SCENE 15
Cut to laptop showing voice synthesizing software A call is made to an answering machine A typed message on the laptop is being scanned and translated into speech using Frohikes voice

MULDERS VOICE answering machine You can leave me a message after the beep

FROHIKE Hey man Me and the boys have come across something youll find very tasty I cant tell you over the phone but call me so we can meet some place out of the way of prying eyes if you catch my drift You can reach me at 240 555 0106 Later

Its YVES who is sending the message

Cut to the hotel bar BYERS is showing a photograph of Yves to the BARTENDER

JIMMY Youre not going to find her if she doesnt want to be found

MORRIS FLETCHER The valet remembered her from the night she ripped me off

FROHIKE They pulled her silver BMW out of the lot at 1026 She headed north on Wisconsin

The GUNMEN and MORRIS FLETCHER leave the bar JIMMY is looking disconsolate




SCENE 16
Cut to street day FROHIKE leaves the VW and goes up to an ATM inserts a card attached by a cable to a cellphone and taps keys on the cellphone

FROHIKE Here it comes

LANGLY is working on the computer which shows shots from the ATMs security camera

LANGLY Big left onto O Street

The VW moves to O Street More security camera stills

LANGLY A right on 35th

Checking another camera leads them to Reservoir Road

LANGLY Got her Bishop Place




SCENE 17
Cut to hotel room with Do No Disturb sign on the door LANGLY knocks on the door

FROHIKE Nobodys home

FROHIKE starts breaking the electronic lock

JIMMY Oh come on dont do that

LANGLY We didnt spend four hours tracking her here for nothing

MORRIS FLETCHER Thats right Poindexter Im going to get my computer disk back

FROHIKE There we go

FROHIKE opens the door

LANGLY Hold up Booby traps

Holding the door ajar LANGLY spots a horizontal wire low down

LANGLY Way ahead of you Spiderlady

He cuts the wire opens the door steps in and gets hit in the face with bright blue security dye MORRIS FLETCHER finds this hilarious

A drawer is opened revealing a lacy seethrough brassiere FROHIKE holds it up JIMMY exasperated pulls it away from him

FROHIKE Hey Im working here

JIMMY How would you like it if I went through your underwear

LANGLY enters the room with a towel to his face

BYERS Did the dye come off

LANGLY Dont even

He removes the towel and hes still very blue He starts searching a chest of drawers by tossing clothing from it over his shoulders and onto the floor

JIMMY Langly Guys what are we doing here

BYERS Getting to the truth Jimmy Like I said before

JIMMY The truth about what This whole thing has gone from JFK to Romeo 61 and secret assassins to us rummaging through a womans underwear

FROHIKE actually looks a little ashamed

MORRIS FLETCHER Well this guys a broken record What do you keep him around for You got a lot of hardtoopen jars

JIMMY Were looking for the truth and were doing it with a man that shouts lies for a living

MORRIS FLETCHER Oh

JIMMY Im really not feeling good about this

LANGLY Then leave why dont you Just shut the hell up and leave

BYERS Langly

FROHIKE Come on buddy The kid doesnt know any better

JIMMY I do know one thing you three arent as smart as I thought

JIMMY leaves

BYERS Jimmy Come on

MORRIS FLETCHER Guys can we get back to work here see if we can find my stolen disk Huh please

LANGLY Uh huh

He has found a document taped under a drawer

MORRIS FLETCHER What is it

LANGLY Concerned Financial

BYERS Its an opening receipt No account owners name just a number

FROHIKE Yesterdays date Yves just opened up a Swiss bank account Check out the opening deposit

MORRIS FLETCHER 1013 million from Fenix Atlantic Corporation Who the hell is that

LANGLY It may be another name for Romeo 61

BYERS Either way Im guessing these are the people who have your disk




SCENE 18
SMITHSONIAN INSTITUTION
ANCIENT ARTIFACTS DEPARTMENT
Racks of shelving people working at desks YVES walks through to a counter and rings the bell attracting the attention of whitehaired CLERK is working at a desk behind the counter

CLERK May I help you

YVES Yes Im researching Etruscan pottery I understand you have a new acquisition

CLERK We do Its in the back

The CLERK and YVES go into the back room

CLERK This is a pleasant surprise You are here to sell arent you Word is out about your new acquisition

YVES Word does seem to travel

CLERK I must say Im rather cross at you I feel left out of a large number of opportunities the Octium IV chip the water powered car none of these items ever made it to market Strange

YVES Who have you told about me

The CLERK is silent

YVES whispers threatening Who have you told

CLERK Theres a dozen potential witnesses right outside the door Youd be seen

YVES I dont care Do they know where I am




SCENE 19
Cut to YVES reentering the main office As she walks through it a SHARPLY DRESSED MAN steps out from behind a rack of shelving and watches her leave




SCENE 20
GUNMEN HQ JIMMY is putting his things into a bag He is alerted by an Incoming Mail message on a monitor He opens it The heading is

ORIGINAL MESSAGE FROM Fox2002

JIMMY reading Boys Couldnt reach you at your phone number just now Cant make 9 How about 10 oclock at the parking deck 14th and K

JIMMY is confused

JIMMY What Whos this from Fox What Fox do I know thinks Oh man Yves




SCENE 21
FENIX ATLANTIC CORPORATION
WASHINGTON DC
827 PM
Night The VW is parked in the road outside a factory The periscope rotates and a monitor shows the view a chain link fence with industrialtype buildings behind

FROHIKE This is where Romeo 61 hangs Theyve got one ugly club house

LANGLY looking at drawings on a screen Weve got floor plans weve got security systems Man oh man this is heavy duty stuff

FROHIKE What is that

LANGLY Its a vault Data storage In the pit of the building sixteen floors down Massive

FROHIKE What the hell kind of data do they store down there anyway

MORRIS FLETCHER Hey dont look at me this is your town

LANGLY Guys I think were sitting on the mother lode here

BYERS Romeo 61 JFK who knows maybe every answer weve ever dreamed of recovering

MORRIS FLETCHER to Langly You know maybe the boys wouldnt treat you like such a tramp if youd wear less makeup

LANGLY That just gets funnier and funnier Keep it up

MORRIS FLETCHER in a fake Scottish accent Aye Braveheart and you will lead us to victory over the English dogs

LANGLY And you can blow my bagpipe pal

BYERS Mr Fletcher were supposed to be working together

MORRIS FLETCHER I know I know but this is pointless Im a dead man I should be using these last hours constructively drinking at the bar and juggling blonde triplets No offence fellows but theres no way youre getting in there

FROHIKE How about it

LANGLY Its tricky Theyve got a wicked access system based on facial recognition If your face doesnt match one in their database they lock you in

BYERS Can you crack the database add our photos to it

LANGLY Negatory Its built as a ROM file Itd be like changing Moses stone tablets

MORRIS FLETCHER Thats what Im saying And even then how would blue boy pass with his complexion

FROHIKE Hes right With that shade of blue the scanner would probably read your face as invisible Like the chromakey they use behind the TV weather map

BYERS Chromakey Thats the answer




SCENE 22
14TH K STREETS
916 PM
YVES is waiting in the underground car park She checks her watch looking worried A car arrives As she watches the car drive past its headlights sweep across another car illuminating the driver She quickly gets into her car and drives off The mystery car follows but is temporarily slowed by a third car driven by JIMMY

JIMMY shouts to the mystery car Little thing called speed limit buddy

YVES drives through the streets the mystery car following her She turns into an alley the other car follows and stops behind Yves parked car Theres no sign of Yves Then she taps on the window of the mystery mans car with her gun She shoots out the front tyre then taps on the window again The man winds the window down and Yves pushes the gun barrel up against his neck Its the man who was watching her in the Smithsonian Institution

SHARPLY DRESSED MAN Im not armed

YVES You should be

SHARPLY DRESSED MAN I have a message for you People that you care about may die tonight

YVES Theres no one I care about

He hands her a copy of The Lone Gunman

SHARPLY DRESSED MAN Its up to you If you come with me now theyll be safe Perhaps we could take your car

She shoots out his rear tyre gets back in her car and leaves




SCENE 23
Cut to VW LANGLYS face is entirely blue now and several small pink dots have been applied to it

BYERS There we are that should do it Number fifteen

MORRIS FLETCHER Now what exactly does this do Aside from making sure he never gets laid again

LANGLY Ah bite me Fletcher

MORRIS FLETCHER Maybe You taste like blueberries

BYERS Guys Facial recognition works by scanning the shape of each face and measuring a sampling of its prominent features

LANGLY Fifteen sampling points with this system

BYERS So if Langlys face is chromakey blue and hence invisible to the scanner all the machine picks up are these fifteen pink dots which correspond to the exact sampling points of one Walter Belofsky whom we pulled off the Fenix Atlantic database

The monitor shows the face of Frank Spotnitz with corresponding dots

LANGLY And presto Im in like Flynn

MORRIS FLETCHER You guys never went to your high school prom did you

The VW door opens and FROHIKE climbs in

FROHIKE The gate and the outer door are standard keypad entry Plain vanilla stuff Coming Skizics

He offers to paint MORRIS FLETCHER blue

MORRIS FLETCHER Oh no thanks I think Ill sit this one out

BYERS Suit yourself

FROHIKE starts painting BYERS face




SCENE 24
1006 PM
JIMMY is sat in his car in the carpark He gets out

JIMMY Yves Yves Approaches a pillar Yves

MULDER walks past on the other side of the pillar looking for someone Hes startled by JIMMYS presence then suspicious

MULDER Hey

JIMMY Hey

MULDER walks past JIMMY as TXF theme tune plays stops and puts his hands in his pockets They both stand there a few feet apart TXF theme again

MULDER You wouldnt happen to know a guy named Frohike would you

JIMMY Frohike Yeah I live with him I mean I used to

MULDER Was that a kind of a May to December thing

JIMMY What about Frohike

MULDER Im supposed to meet him here

JIMMY Yeah You wouldnt happen to know a woman named Yves would you

MULDER No Youre supposed to meet her here too

JIMMY What are the chances of that Unless maybe youre talking about some other Frohike

MULDER The Frohike I know Im hoping hes the only one My names Mulder by the way

JIMMY Jimmy pause Mulder Youre that FBI agent the guys are always solving the crimes for Youre the one that says he was abducted by aliens

MULDER I was abducted

JIMMY Wow Did they probe you Did they use the nose thing on you Or the big one

MULDER Jimmy lets put our heads together and see if we cant figure this thing out




SCENE 25
Cut to three figures outside the chain link fence at Fenixs building

LANGLY Bingo Were in

FROHIKE Told you Plain vanilla




SCENE 26
In the VW MORRIS FLETCHER is making a call on his cellphone

SHARPLY DRESSED MAN answering Hello

MORRIS FLETCHER Hows it going

SHARPLY DRESSED MAN As expected Your end

MORRIS FLETCHER Hold on a second shouts to the Lone Gunmen Right on guys Let your freak flag fly to Sharply Dressed Man Three blue mice headed for the cheese

The SHARPLY DRESSED MAN smiles

The LONE GUNMEN move off into the complex as the gate closes again

Fade to black




SCENE 27
GUNMEN HQ The door opens and KIMMY is standing there

KIMMY This is kidnapping

JIMMY pushes KIMMY in the room

JIMMY Yeah I know Im real sorry

KIMMY I thought Id made myself abundantly clear I plan to keep on breathing I dont care how big a doo pile your little Mongoloid girl scout troop has burrowed itself into youve got no right to involve me in this

JIMMY Its true I dont

KIMMY Exactly So bye bye

He heads for the door but JIMMY grabs him by the ear

KIMMY Ow Hurting Hurting Hurting Hurting

JIMMY slams the door shut and leads KIMMY over to a computer

JIMMY I have no right but that doesnt mean youre not going to help me Understand

KIMMY All right Lay it out for me already

JIMMY I ran into this FBI agent he thought he was meeting Frohike who was going to give him secret information Only Frohike never showed up This agent he gave me a phone number for a Frohike that Id never seen before Its disconnected I need you to run it down for me

KIMMY Using me to trace phone numbers Its like watching Michael Jordan play chequers

KIMMY does a very quick trace on the computer

KIMMY Martha Stewart Living thats who it bills to

JIMMY Its Yves

KIMMY Yves Harlow

JIMMY She was going to meet with Mulder She was going to give him the disk she took from Morris Fletcher

YVES somehow is there although there was no sound of the door opening or closing

YVES You are the smartest of the four She hands the disk to Jimmy See that it gets to Agent Mulder to Kimmy Move

KIMMY Whatever

He stands up and YVES takes his place at the computer

YVES I assume neither of you knows the whereabouts of Byers Langly or Frohike

She starts using the computer

JIMMY Whats on this Hold up disk The Maharon Project An alien weapon

YVES Nothing so exotic Its a detailed file of alien abductees or rather innocent people whove been brainwashed by the likes of Morris Fletcher Kimmy tries to leave but Jimmy puts him in a head lock Its all there their modus operandi their disinformation I reckon that man Agent Mulder will find it useful

JIMMY What about Romeo 61

YVES What about Santa Claus and the Easter Bunny Classic disinformation Jimmy Bait Shiny lures to dangle in front of your three friends Something they couldnt resist

KIMMY and JIMMY exchange looks although its a little uncomfortable for KIMMY who is still in a headlock




SCENE 28
Cut to a door being carefully opened A mirror on a stick is pushed through the opening to check the interior Its FROHIKE LANGLY and BYERS They enter the room and FROHIKE uses a device to unlock the electronic lock to another door This second room is a gateway a glass column rotates until the opening is in front of where BYERS is standing FROHIKE has accessed the computer controls BYERS nods to FROHIKE then enters the gateway The column rotates sealing BYERS in A scanner moves down into front of Byerss face The computer finds a match John Shibans face appears on the screen The scanner moves up and the column rotates further giving BYERS access to the area beyond He looks back and LANGLY gives the thumbsup sign to him




SCENE 29
Cut back to YVES still in the GUNMEN HQ and who in frustration hits the keyboard

YVES Damn it

KIMMY Are you running a plate trace

YVES Late model Jaguar sedan I need an owners name its not coming up

KIMMY Run the VIN number Let me try something

JIMMY releases KIMMY from the headlock

JIMMY to YVES Morris Fletcher is using the guys as bait to get to you Why What does he want with you

YVES He simply wants his disk back I imagine thats why he got involved Hes working for someone else however someone whos been looking for me for quite some time now

JIMMY Who

YVES All you need to know is that I wont turn myself over to him Which means if we cant track down Byers Frohike and Langly ourselves

JIMMY Theyll kill them




SCENE 30
Cut to computer recognition system FROHIKES face has been scanned and is matched to Vince Gilligan Now LANGLY is being scanned the face is Frank Spotnitz All three GUNMEN are now in the inner area They climb up a couple of steps to an elevator door FROHIKE hits the button




SCENE 31
Cut back to TLG HQ

KIMMY Sorry A whole lot of nothing

JIMMY Think Think Last time I saw the guys they were at your hotel room Maybe theres some clue there

YVES What do you mean my hotel room

JIMMY We er tracked you to your room at the Bishop Place

YVES I dont have a room at the Bishop Place to Kimmy Crack the inhouse server

KIMMY Censured

YVES Whats the room number

JIMMY I think it was the Presidential Suite

YVES has sat down next to KIMMY who is admiring her cleavage

YVES Eyes forward Check the billing file Who rented the room

KIMMY There you go

YVES Fenix Atlantic




SCENE 32
Cut back to the GUNMEN The door opens into a circular elevator shiny metal walls They enter and FROHIKE punches the bottom of about 20 buttons The elevator descends and opens into a room again shiny metal walls with a very large safe which the GUNMEN approach

BYERS Gentlemen this is it I suspect that every answer to every question weve every asked lies behind this door

FROHIKE And all weve got to do is open it




SCENE 33
Cut to street outside Fenix building Yves car draws up YVES JIMMY and KIMMY get out and JIMMY checks the VW

JIMMY Nobodys here Whered they go

YVES Come on She goes over to the gate Theyre probably inside from the looks of things This isnt too promising

JIMMY Okay So Ive got a plan

YVES You do

JIMMY You and Kimmy figure out how to get the doors open and Ill go in by myself Whoevers after you is after you not me

YVES Its a smart plan Jimmy

She kisses him on the check much to his delight then beckons KIMMY over and shoots JIMMY with a knockout gun

KIMMY as JIMMY collapses into his arms What What the hell

YVES Take him home Stay there

KIMMY You are like dangerous lady

YVES Lets hope so

YVES opens the gate and enters the complex




SCENE 34
Cut to TLG trying to open the safe

FROHIKE Come on Come on

BYERS using a computer showing floor plans of the building I dont understand Langly Your schematics clearly showed a different vault door

FROHIKE Yeah one that had a control panel One we actually had a chance of breaking in to

LANGLY It doesnt make any damn sense Its like these stupid schematics are like

FROHIKE Fake The lift is descending Oh crap

The door opens MORRIS FLETCHER the SHARPLY DRESSED MAN and armed SOLDIERS are standing there

MORRIS FLETCHER Hi guys Why so blue sniggers Sorry

The SOLDIERS move in and start handcuffing the GUNMEN More armed soldiers arrive with YVES in handcuffs MORRIS FLETCHER smiles at them all

Fade to black

TO BE CONTINUED

 HISTORY

2024-09-22 02:47:46 - Pike: Added the runtime.


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