PUBLISHED ON
Monday April 1, 1996
VIEWS
206
LAST UPDATE
2024-09-05 23:32:40
PAGE VERSION
Version 6
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TYPE
Comics
SUMMARY
In Firebird - Part 2/3, published in April 1996, the second installment of the Firebird storyline continues to build on the suspenseful and supernatural elements introduced in Part 1. In this issue, Mulder and Scully are deeper into their investigation of the Firebird phenomenon. The mysterious fires and their inexplicable nature have led them to uncover more about the entity behind these incidents. They find themselves facing increasingly dangerous situations as they follow leads and gather evidence.
The agents discover that the Firebird might be tied to an ancient and powerful force or artifact, with connections to local legends or hidden histories. As they piece together clues, they encounter resistance from individuals or organizations that seem to have their own vested interests in keeping the truth hidden.
Part 2 intensifies the investigation, deepening the mystery and escalating the stakes. The agents' progress reveals more about the Firebird's origins and motives, setting up for the dramatic conclusion in Part 3. The issue continues to blend elements of horror, suspense, and supernatural intrigue characteristic of "The X-Files" series.
STORY
No story yet.
TRIVIA
- Although not written on the cover, this second part is subtitled: Crescit Eundo.
- Writer: Stefan Petrucha
- Artist: Charles Adlard
- Letterer: John Workman
- Colorist: George Freeman
- Separations: Digital Chameleon
- Editors: Jim Salicrup, Dwight Jon Zimmerman
- Cover artist: Miran Kim
- Photographer: Michael Grecco
CHARACTERS
In order of appearance:
There are no characters for this book yet.
QUOTES
The difference in mind between man and the higher animals, great as it is, certainly is one of degree and not of kind. (Charles Darwin)
Most people think cows can't think. Hello.
Now personally, I think it's a little weird to drink another animal's milk. You don't see me walking up to some human lady who just gave birth, saying, "Yo, can I get a taste?"
Give me a moment as I think about my mother. Feelings come and go, unless you don't feel them. Then they stay, and hurt, and grow pear-shaped and weird. So when we cows have a feeling, we feel it, till the feeling passes. Then we moo-ve on. Boom. Didn't see that coming, did you?
I recall the days of my childhood through the green grass-colored lens of nostalgia. It all seems so far away and so perfect. Every day a sunny day, even the rainy ones.
And see how that whole scene was kinda written in what's called "screenplay form"? My editor loves that stuff. Big-shot Hollywood producers take note, this practically shoots itself.
Selfies, they call 'em, and that makes sens 'cause even though they're sending these pictures to others, it still smells like selfish to me. Is that why they call it an "I phone"? 'Cause it's all about me me me.
"One small step for cow, one giant leap for cowkind..."
"Don't hate. Hate is like a poison you make for your enemy that you end up swallowing yourself."
Do you know I love you to the nth degree?
Jerry: It's a long story, some say the greatest story ever told, but basically, Jews are Christians with longer sideburns. And a better sense of humor.
Elsie: You're a bird that can't fly. You're an oxymoron.
Why is it that when we're leaving something is the moment we most appreciate it?
But I had to go. When I turned, the pig was looking at me. And he said, "It's hard to leave anywhere. Even if the place sucked. It's hard to leave anywhere at all."
There is something in man that loves a wall, but what wall menders and fence builders do not get is that when they fence something out, they are also fencing themselves in. Not one but two prisons are made by one wall.
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HISTORY
2024-09-05 23:32:40 -
Pike:
Added some trivia.
2024-09-05 23:31:38 -
Pike:
Updated the title and added the credits.
